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Will.I.Am
Photo:
www.bbemusic.com
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Hip
Hop has always been a free flowing form of expression that has
been exploited and misrepresented by the corporate powers that
be. They often make the mistake of trying to slice, dice,
soften, prepackage, and label the original message that the
artist meant for the masses to hear. This is the cause of the
processed feel to the art form. Occasionally members of the
fraternity of planet rap slip through the cracks of labeling,
whether it be through indie record labels, the underground,
luck, or even all three. It’s ironic because in all actuality,
the term ‘underground’ is a label in it’s own right. Somewhere
between all of these ‘labels’ falls Will.I.Am. Performing
since about age 13, he finally got his break at the tender age
of 17, by signing with the late Eazy-E’s (RIP) Ruthless
Records. At a glance Will.I.Am seems to have the same Hip Hop
‘fundamentalist’ views of anyone from the ‘underground’, but
after hearing what he has to say you get the feeling that he
is a little different from the rest.
“Hip Hop is what it always has been, but now there are too
many labels - underground, gangsta, and conscience,” explains
Will.I.Am. “I liked it better when everything was Hip Hop.
When you had Public Enemy, Heavy D, A Tribe Called Quest, NWA,
Stetsasonic, Digital Underground, Rakim, and Kid ‘N’ Play out
at the same time, and it was all called Hip Hop.”
Easy targets in the music is those who promote the abundance
of materialism, but unlike those ‘conscience’ or ‘underground’
cats, Will.I.Am actually defends today’s brand of Rap,
“Materialism has always been a part of great Hip Hop. I quote
EPMD, ‘You bought our album Strictly Business and you thought
it would fold, thirty days later the LP went gold. Then I can
quote Rakim, ‘I cold show my rings and my fat gold chains,
grab the mic like I’m on soul train.’”
Before you can shoot him down with the fact that the ‘golden’
years of Rap is incomparable to today, he opens fire, “You
see, cats have always been on that material shit, it’s just
those cats had skill as well. Nowadays cats use underground,
or materialism as a crutch, because they actually lack skill.”
Will.I.Am’s solo album Lost Change is out now, and will give
us the chance to hear his perspective of what our genre, or
even music in general, is. His album does have the does and
doesn’t fall into the status quo of album formulas. He does
have a slew of guests on his CD, but they are not the big
mainstream names that load up most of today’s albums. Vocal
guests include Planet Asia, Madusa, Mykill Myers, Madd Dogg,
Terry Dexter, and Huck Finn. While production was handled by
Will.I.Am himself, he does flex skills that lie outside the
drum machine by teaming up with musicians such as Mike
Fratenuno on bass, George Pajon and J Curtis on guitar, Chuck
Prada playing percussion, and The Horn Dogs’ Printz Board and
Tim Izo on brass and reeds.
Lost Change is being released through the London-based indie
BBE, and Will.I.Am beams, “I’m I happy putting shit out
through BBE…I’m free to do whatever it is I want. It’s the
same as Black Eyed Peas being on Interscope. It’s two
different things, but I’m just as free doing either project.”
Will.I.Am appears to feel that the music’s dry spell
definitely needs to be put to an end, “It’s cool right now,
cats are learning more out of business-wise, but creatively
it’s waking up at a slow pace. It’s a little segregated right
now.”
Will.I.Am stepped away to record his solo album, hoping the
public can hear his stellar skills he has for the production
side of the game. With all the talk of the different sides of
the game, and why is or isn’t the culture where it needs to
be, Will.I.Am does have some hope of adding to or changing
what is the status quo with more than just an album, “The
label we started is called, ‘VS’ -Visual Stereo. We want to
give the consumer more than just music - visual art, and
sound. I’d rather not go into details on what we plan to
do…Just look out for VS.” Just because he’s got a full plate,
doesn’t mean that the Black Eyed Peas are no more. For the BEP
fans out there, don’t worry, they’re in the process of
recording album three as we speak.
When it seems things are going smooth, we get a wake up call
like the attacks on the World Trade Center. Because this event
obviously affected everybody in North America, and to some
extent the world, it’s no surprise that it affected ours, the
Hip Hop community. Will.I.Am says, “We toured the day after
the attacks. I was scared, but you gotta go and do God’s work
when he calls on you, and help heal minds when in panic.”
Music seems to be our key source to be in tune with the
universe, rap is just one integral part of that source. With
so many names, labels, and just plain sugar in the game, it’s
hard to even tell what’s what anymore. Will.I.Am takes a stab
at giving his own definition. “Hip Hop is whatever you add to
it…Hip Hop was music, before it was Hip Hop. James Brown and
Led Zeppelin are Hip Hop, just in the raw. You can’t make
peanut butter with out peanuts. Hip Hop has merely been the
alteration of music that has already existed. Now it’s time
for cats to learn more about musical theory, and form a new
form of ‘Hip Hop’ music.”
Whether he really does implement some new change or growth to
the genre or not, he’s gonna keep on keepin on. Really, who
are we to judge what is or isn’t music? In the end it is
artistic, creative, and beautiful to the creator, and that
really is all that matters.
As for Will.I.Am - he is going to be like most artists, and
recreate, add to, and reinvent the art and himself. “I’m just
going to expand my mind space…and learn about all my spiritual
and mental capabilities.”
By Joseph Mandat (jmann@rapsheet.com)
Courtesy of Rapsheet.com
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