REVIEWS:  LL Cool J - Ten
Def Jam/Rock The Bells
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LL COOL J - 10

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        One artist releasing ten albums in a Hip-Hop career…few can claim such an achievement. One Todd Shaw aka Too Short, some hobbits (artists from the underground) and now James Todd Smith, bka LL Cool J from Queens. With questions about his ‘realness’ and relevance in the 2002 ‘game’ of Hip-Hop, LL Cool J follows his relatively luke-warm release Greatest Of All Time (G.O.A.T.) with self-explanatory titled Ten.
Right out of the gates LL defines what those L’s stand for. Ladies do, and have always loved Cool J. Ain’t nuthin’ changed on Ten. LL demonstrates on tracks like “Born To Love You”, “Paradise”, “Amazin’” and the lead single “Love You Better”, why the ladies respond to him and not the hatin’-a** clowns who have dissed him for his outward affection toward the fairer sex. The surprisingly chiseled Cool J, in his new video may have oversaturated Ten with songs for the ladies in the opinion of some, but you know what? If the ladies are diggin’ the flavor who’s complaining? The main debate however, is about the well-roundedness of Ten. While he hits the ladies from the back on tracks like “Lollipop”, “Afterschool” and “U Should” he bangs clown MCs in real way on “Clockin’ G’s”, the veteranesque “Ten Million Stars” and “Niggy Nuts.” These tracks provide the requirement of hardcore attitude and lyrics to balance Ten into a record that can be played without pause.
LL has mentioned in interviews that he is not ashamed to express his feelings for the feminine persuasion and throughout his career with tracks like “I need Love” and “One Shot at Love”, LL has came right and direct with the ladies. The haters will love to dissect this album for those exact reasons, and with the current fad of “treating’em like a prostitute” as MC Ricky D once instructed, LL will doubtlessly receive much criticism. On “U Should” LL does the critiquing however. He kicks the game to the fellas, advising them on the hook that “You should know how to treat your girl, playboy.” And no doubt, LL shows the ladies your game, then he displays his – “who you think she gon’ choose?”
A clear sign of maturity, Ten offers another much-needed track. “Big Mama (Unconditional Love)”, featuring Dru Hill pays tribute to his and everybody else’s grandmother. The track’s heartfelt appeal includes a sample of the classic ode to the matriarch, “Sadie.” He raps smoothly about issues the listener can relate to and flows eloquently about the role his grandmother played in his upbringing adding, “A toast to the woman that raised a man” and “You taught me well, to not get souped up because I’m LL.”
As the homie in swingers said, “You’re all growed up!” and LL is grown. He can clearly drop heat like lava flows, but he’s not thuggin’ on the block, he’s got family and he’s got a career. LL’s position in the Hip-Hop game has changed; from a defiant private taking orders to achieve rank, to a Commander-In-Chief calling shots and doing what he wants to do.
What Ten represents is a change of position in LL Cool J’s career. It’s not good, or bad. It’s life and Ten highlights the signs that he is not the 18-year-old MC about to get shot by Jam Master Jay in Krush Groove, for saying, “BOX!!!” With Ten, LL has written his signature on Hip-Hop all over again, leaving some hanging and leaving some begging.


-Nate Money

 

   

 

 

 

 

 

 

 

 

 

 

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